Senior editor and shooter — fourteen years cutting documentary, branded, music, and narrative work, and shooting it too. Full post stack under one roof: picture, color, and sound.
Fourteen years in one cut — branded, documentary, music, and narrative.
SAG Feature · Post-production · ARRI Alexa Mini
Cutting a self-financed SAG narrative feature — long-form story structure, assembly through fine cut, in post now. I wrote and directed it too, so I'm cutting toward what the script was always reaching for.
Founder documentary · 2023
The story of Angela Romero — founder of the event and apparel brand — directed and cut.
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National automotive · 2022 · 7.6M+ views
Brand campaign for Mobil 1 along Route 66 — a Guinness-record milkshake run at a historic Mother Road drive-in.
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Director of Photography · 2022
Juneteenth Celebration at the Bowl — broadcast on CNN. Featuring Robert Glasper, Derrick Hodge, Amir Sulaiman, and Thomas Wilkins. Shot as DP.
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Apparel film
Apparel brand film — co-directed and cut.
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Brand film · Amazon
Brand film for the Sylvie’s Love release; screened before the feature at drive-ins.
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Documentary · Anamorphic
A modern-day healer in South LA — shot on ARRI Alexa, anamorphic lenses. Co-directed and cut.
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Documentary · MOCA Geffen Contemporary
The abolitionist pod — a geodesic dome and autonomous garden, premiered at MOCA's Geffen Contemporary (WE RISE), now permanently sited at the Hilda L. Solis Care First Village.
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Team Friday · 2022
Community Health Worker profiles and the Rediscover campaign — interview-driven public-health films across LA County.
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South LA business profiles · Shot & edited
Profiles of local South LA businesses, shot and cut — Hank's Mini Mart and the wider series.
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2013 · 156K+ views
Shot and edited — a live performance in a 24-hour laundromat. From The Show Up, the live series on Beats, Frames, and Life, the music/video blog I ran.
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25-part series · 2025
Twenty-five one-minute profiles for LA Commons' 25th anniversary — cut on a fast-turnaround production line.
WatchI'm a Los Angeles editor and shooter — fourteen years cutting documentary, branded, music, and narrative work, with a full post stack I run myself: picture, color, and sound. I came up making my own films, so I read a cut the way a director does — I know what a scene is trying to do before I start trimming. That story-first instinct is what I bring to someone else's footage.
On a team that means I take notes well, hit deadlines, and am comfortable owning a project end to end or slotting into an existing pipeline. I've shot and cut for cultural institutions, public-health agencies, and national brands, often as a one-person crew — the shoot day and the timeline are the same person, not a handoff. I work fast, I'm easy to collaborate with, and I'm set up for remote. Bilingual — English and Spanish.
Available for editing and shooting work — based in LA, set up for remote.
Résumés
Producer and camera résumés available on request.